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ANDIEZ Her Soul Belongs to Music and Ballet Every Time She Dances She is Home Poster

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ANDIEZ Her Soul Belongs to Music and Ballet Every Time She Dances She is Home Poster

 The PBS series “American Masters” specializes in packaging the lives of cultural luminaries into an hour or two of entertainment. For its latest subject, the dance-world legend Twyla Tharp, that doesn’t feel like nearly enough. Tharp has lived and worked (compulsively, ceaselessly) in New York City since the early nineteen-sixties. She has choreographed more than a hundred and thirty-five works; overseen the dancing in five films, including “Hair” and “Amadeus”; and won an Emmy Award, in 1985, for her work with Mikhail Baryshnikov, and a Tony, in 2003, for her work on the Billy Joel dance revue “Movin’ Out.” She’s received more than a dozen honorary doctorate degrees, been a Kennedy Center honoree and the recipient of a MacArthur Fellowship, written three books, and run her own dance company, Twyla Tharp Dance, which merged with the American Ballet Company in 1988. ANDIEZ Her Soul Belongs to Music and Ballet Every Time She Dances She is Home Poster

Tharp is seventy-nine years old. When the pandemic hit, she wasn’t about to sit by idly. She began choreographing a new work over Zoom, featuring the ballet dancers Misty Copeland, Herman Cornejo, and Maria Khoreva, among others. More recently, she took on a remote commission from the Ballet am Rhein, in Dusseldorf, which required adjusting her work schedule to Central European Time. Tharp is never half committed to any project she takes on. In her book “The Creative Habit,” from 2003, she explains that she does not believe in multitasking; “you’re compromising your virtuosity,” she writes. Booking an interview with me, she said, “required a lot of shuffling, not just of dates but of energy and energy zones.” But once she says yes to something she likes to stick with it.

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