Relax Room Just A Girl Who Loves Books and Tea Poster

 

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Relax Room Just A Girl Who Loves Books and Tea Poster

 Dancemakers have long been intrigued by technology. Merce Cunningham’s long love affair with randomisation led to fruitful experiments with Lifeforms software during the 1990s. In 2002, Wayne McGregor’s fascination with neuroscience gave birth to Nemesis, in which his dancers were augmented with super-long prosthetic arms programmed to snake around them as they moved. At their best these man/machine collaborations challenge, enhance and disrupt the creative process; at their worst they can look like a gimmick, with Lycra-clad bodies dangling from JCB diggers like dolly birds draped over cars at a motor show. Relax Room Just A Girl Who Loves Books and Tea Poster

Sometimes it’s best to let the machines get on with it. A big idea, a good choice of music and a few fraught weeks in the editing suite can transform hard steel into poetry. Moore’s short, sweet pas de deux with the Baryshnibot would make a great ad for something — vitamins? — but for now they are selling a much bigger idea: bridging the “gulf of mutual incomprehension” between CP Snow’s “Two Cultures”.

“I’m very interested in the melding of science and art,” she says. “Often when they come together you get bad art and bad science. My main mission is: can I push the research and science from an art perspective, pushing it to a cutting edge; can I make even better art?”

A happy ending even Disney couldn’t argue with.

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