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 Since Soul was mentioned, and the mother wanting her son to stick to teaching in that story…were your parents supportive of your musical pursuits, or did they try to nudge you into “getting a real job In the film, my character’s mom keeps pushing him to “get a real job.” I’m lucky that in real life my parents have always been really supportive. Now that I’m a dad…my wife and I have five boys…I’m particularly grateful for their belief. I think I was maybe naive to the long odds, but they were always in my corner.  I think we all got lucky with supportive parents. Mine being artists, it was very easy to choose to be an artist. Not always as easy to keep being one. Since I’ve brought up other music-related movies, one scene made me think of Spinal Tap. It’s when you’re in the van Dolphin No Matter How Old I Am I Still Get Excited Everytime I See Dolphins Shirt discussing band names. Hysterical line about all the good names being taken, and bands just having sentences for band names. So, two-part question: How did you come up with the name The Sweet Remains? And why in the world wouldn’t the movie be called The Sweet Remains, to help get the band name out there some more? Also, what other names were you considering for the film? Surely when it came to the initials left from the graffiti on the van, you had a few other names that started with those letters. What were some of those: Ha! Yeah…the secret to our relative longevity as a band at this point is that we enjoy a similar sense of humor. Lots of Spinal Tap references of course. And we did consider calling the band The Sweet Remains, which would be an apt name thematically. 

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But it felt a little too much like a vanity project at that point. I really wanted the story/film to stand on its own in a way. Also the story really is inspired by the way that we started together, and we started as three very independent-minded solo artists. It took a while for us, I think, to find out how to be a band rather than three “independent” dudes. And we did go by RGB for a good while before we found our name, which was really tipping the hat to the idea that we did all meet at a crossroads in our lives/solo careers. So TSR is sort of the phoenix from the ashes idea. I love ‘60s and ‘70s bands. My wife hates that I love Harry Chapin and Bread, but hey…I like their stories and voices. One band I detest is Crosby, Stills, Nash yet for obvious reasons, I’m going to mention them in reviewing your film. I’ve often read that musicians hate when people compare them to others. The White Stripes hated being compared to Zeppelin. The Black Crowes hated being compared to other Dolphin No Matter How Old I Am I Still Get Excited Everytime I See Dolphins Shirt  rockers; or do you like it, because…after all, nobody is going to compare you guys to a lame band I think it’s actually important, at least in the beginning as bands are forming their sound, to be compared to other acts. It helps the listener put the music in context. We obviously draw heavily from  and other harmony driven acts, so in the beginning, I think those comparisons were helpful to increase our following and target our listening demographic. Yeah, we totally love the classic supergroups, too.  Two songwriting questions: Did you guys write any of these songs specifically for the movie, or were they already part of The Sweet Remains repertoire? And, with three voices in the band, that harmonize so beautifully together, how is it when it comes to writing together? Or do you each write separately, and then tweak the songs when you get together Greg really built the arc of the narrative around songs we had written. In a lot of ways, I think, it inspired the journey. And music and the songs obviously help propel the movie, both with songs that are featured and some of the underscore. One of the benefits of having three songwriters…we have a lot of material to pull from. We released our fourth studio album last year, just as the pandemic shut everything down, so we haven’t had a chance to really tour in support of it. As far as writing goes, we each have pretty different processes. And the muse strikes us at different times. We do sometimes write all together. One of our songs called “Takes Time” is an example. I think Brian and I tend to do more cowriting together, but then again, Greg’s been busy trying to get this movie out into the world.

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 Movie critics have all kinds of weird quirks with how they view movies. Most of the ones I know refuse to watch trailers for the films, for obvious reasons. Obviously, we’re not seeing these at theatres now. Well, I don’t usually look at the cast or anything before I watch a movie. I like to be pleasantly surprised when I get to say “Oh look, George Wendt!” And also with this movie, awesome — Richard Kind! He’s one of my favorite character actors (loved him in A Serious Man and Auggie from last year). How thrilled were you to get him in this? And, I’d have to hazard a guess as to say, writing his dialogue was your favorite bit to write for this film. There’s something about listening to BS record label guys prattle on trying to schmooze ya that’s fun to riff on. Spot on! I started off in theatre and ran a little theatre company in New York that Richard did some stuff with and I’ve known and loved him a long time. So I was writing his character, inspired by a particular BS artist music exec we spent some time dealing with. I could only imagine Richard playing the part. Totally was written for him. I called him when it was done and told him so. He said, ‘Greg, I don’t even have to read it. I’m in.’ We were thrilled. With regard to the credits and cast of a movie, while watching this, I kept saying Dolphin No Matter How Old I Am I Still Get Excited Everytime I See Dolphins Shirt to myself, “That guy looks just like the actor from An American Werewolf in London (which I saw in 8th grade when it came out and was blown away). Then I see the credits and say “Oh my god, the last name Naughton. It has to be his son.” And it turns out, you’re his nephew. My wife recognized your dad  as the police officer, and started mentioning his work. What were your memories of your uncle and dad when they were doing films and you were a kid? Stories like that are always fascinating. Beau Bridges told me great stories about watching his dad filming his TV show as a kid.

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