BUY THIS PRODUCTS FROM AMAZON.COM HERE

ANDIEZ Guitar Cat Don't Practice Until You Get It Right Practice Until You Can't Get It Wrong Poster

✅ Printed in the USA

✅ High-quality

✅ Order at amazon.com

ANDIEZ Guitar Cat Don't Practice Until You Get It Right Practice Until You Can't Get It Wrong Poster

Can you talk about the film's depiction of teenage female sexuality, which extends to Lyz's friends?

Favier: The sexuality is really interesting. It's in all my short films, as well, because it tells something important about the behavior between the people and the erotic tension that you can have — even when it's not on purpose. You have to deal with these feelings. It's something we don't talk about enough. Sexuality is an interesting dialogue between the body as well — not just about sex, but feeling, emotion — many different topics. I like to explore sexuality and see how the body reacts. The contradictions of what you want to do — and then doing the opposite. Your brain and body act differently. The sexual impulse is a mysterious war. ANDIEZ Guitar Cat Don't Practice Until You Get It Right Practice Until You Can't Get It Wrong Poster

In "Slalom," I explore the limits and boundaries that are not clear between a trainer and a young athlete, but it's also true that throughout the film, all the boundaries of sexuality are weird. I explore that erotic tension between Lyz and Fred, but also between Lyz and her friend Justine (Maïra Schmitt), because Justine is attracted to Lyz and she doesn't know what she's feeling. Max (Axel Aurient) is attracted to Lyz, and I think she's attracted to him as well, but she's in love with Fred who has a grip on her. She can't live a normal love story with a guy her age. 

Lyz and Fred feed each other's ego. I saw it as "Lolita" has Stockholm Syndrome. How did you find the humanity in Fred? 

Jérémie Renier: He's not a monster; that's not how we saw it. I tried to understand him and his actions. The film makes him complex, going beyond the dichotomy between the monster and the victim. All the work we did was to understand how the characters got to that point, and my job was to understand what Charlène had in her head and to build that relationship. He projects himself in Lyz's success, which he didn't achieve in his own life. That projection is based on her performance, and at a certain point he switches and loses control. He's not a serial abuser. He doesn't have that in him.  

Visit our Social Network: Pinterest, Blogger, and see more at our collection.